In this essay the Order of Nine Angles (ONA, O9A) is discussed in relation to two recent articles by the same anonymous author which were published by a popular internet based music magazine. One of which articles – Beyond The Iron Gates: How Nazi-Satanists Infiltrated the UK Underground – was devoted to the O9A, with the other – titled Why We’re Investigating Extreme Politics in Underground Music – dealing with artistic transgression, subversion, and infiltration, in general.
As we reveal, the article about the O9A is ill-informed, while the other article reveals a lack of understanding of artistic transgression and subversion. As we go on to note, the O9A defies classification according to mainstream, conventional, ideas, and appears to have taken “artistic transgression and subversion” to the next level.
That the anonymous author, in respect of the O9A, commits the fallacy of a dicto secundum quid ad dictum simpliciter, and the Fallacy of Incomplete Evidence, was only to be expected.